Elizabeth Jaeger’s poetically dissonant sculptures and installations shape emotional encounters between object, architecture, and the viewer’s body. At the center of her practice is an investigation of empathy, engaging both social expectations and the interconnectedness of all beings. Strangely familiar, her uncanny, subtly surreal works create psychological spaces that often stem from personal experience or close observation. Through materials such as ceramic, metal, glass, and silk, Jaeger explores their poetic capacities while addressing themes of intimacy and impermanence.
Elizabeth Jaeger (b. 1988 in San Francisco, CA) lives and works in New York. Most recently she has had solo exhibitions at Silke Lindner, New York (2026), Klemm’s Berlin (2025); Capsule Shanghai, Shanghai (2024); and Mennour, Paris (2024). Her work has been exhibited widely, including group exhibitions at Kiang Malingue, New York, NY (2025), FHEL, Landernau, FR (2025); Blickachsen, Bad Homburg, DE (2025); Museum Morsbroich, Leverkusen, DE (2023); Lisson, New York, NY (2022); Jeffrey Deitch, Los Angeles, CA, and New York, NY (2021/2019/2018); Sprengel Museum, Hannover, DE (2020); Aspen Art Museum, Aspen, CO (2018); Whitney Museum of American Art, New York, NY (2016); White Cube, London, UK (2017); MoMA PS1, Queens, NY, (2016) and Sculpture Center, Queens, NY (2016).
What was Left of me Bloomed, 2026, Ceramic, 83 × 30 × 20 in | 211 × 76 × 51 cm
What was Left of me Bloomed (Detail), 2026, Ceramic, 83 × 30 × 20 in | 211 × 76 × 51 cm
What was Left of me Bloomed (Detail), 2026, Ceramic, 83 × 30 × 20 in | 211 × 76 × 51 cm
Installation View, What was Left of me Bloomed, Silke Lindner, New York, NY, 2026
What was Left of me Bloomed, 2026, Ceramic and Bronze, Dimensions Variable
Installation View, Resent The Sky, Klemm's, Berlin, DE, 2025
Installation View, Resent The Sky, Klemm's, Berlin, DE, 2025
Detail View, Resent The Sky, Klemm's, Berlin, DE, 2025
Installation View, Contempt, Capsule, Shanghai, CN, 2024
Installation View, Contempt, Capsule, Shanghai, CN, 2024
Beetles, 2025, Brass and Ceramic, Dimensions Variable
Detail, Fleurs du Mal, Silke Lindner, New York, NY, 2025
Bird, 2025, Ceramic and Bronze, 5 × 3.25 × 2 in | 13 × 8 × 5 cm
Rat, 2026, Ceramic and Bronze, 11 × 3 × 3 in | 28 × 8 × 8 cm
Late Night Out, Dawn, 2026, Bronze, 18 × 24 in | 46 × 61 cm
Installation View, Prey, Mennour, Paris, FR, 2023
Installation View, Prey, Mennour, Paris, FR, 2023
Whispers, 2025, Ceramic, 16 × 15 × 6 in | 41 × 38 × 15 cm
Installation View, Holes, Jack Hanley Gallery, New York, NY, 2021
Office, 2021, Ceramic, Powder Coated Chicken Wire, 22.5 × 18.25 × 18.25 in | 57 × 46 × 46 cm
Office (Detail), 2021, Ceramic, Powder Coated Chicken Wire, 22.5 × 18.25 × 18.25 in | 57 × 46 × 46 cm
Installation view, Brine, Klemm's, Berlin, DE, 2019
Fish Stand (3), 2021, Hand-Blown Glass, Copper, Blackened Steel, 58 × 30 × 10 in | 147 × 76 × 25 cm
Fish stand (3) (Detail), 2021, Hand-Blown Glass, Copper, Blackened Steel, 58 × 30 × 10 in | 147 × 76 × 25 cm
Installation View, Pommel, Jack Hanley Gallery, New York, NY, 2017
Installation View, Pommel, Jack Hanley Gallery, New York, NY, 2017
Shell, 2017, Ceramic and Steel, 21 × 6 × 45 in | 53 × 15 × 114 cm
Bookshelf 3, 2016, Steel, Ceramic, MDF, Hand-Sewn Books, 72 × 72 × 22 in | 183 × 183 × 56 cm, Included in "In Practice: Fantasy Can Invent Nothing New", SculptureCenter, 2016
Installation view, Mirror Cells, Whitney Museum of American Art, New York, NY, 2016
Portrait of a Man (Jack Jaeger) IV, 2016, Ceramic, Blackened Steel, Charred Oak, and Magnetic Sand, 34 × 16.25 × 57.5 in | 86 × 41 × 146 cm